"Oshagan had recently published a book of photography, displaced, about the Armenian ghetto of Bourj Hammoud in Beirut. His first foray into short filmmaking, a short experimental video in Western Armenian called “Resurrection Myth” had screened on several continents at festivals and won an important award. Recently returned from an invitation-only trip to South Korea, he was now scrambling to fill Tufenkian Fine Arts which had offered him their entire gallery space to exhibit his work."
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